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In the marker set I bought for myself, I have a peachy colored marker that I brush in quickly for the skin, then for the finer points and the bits where we seep into negative space, I flip the marker around and uncap the "fine point" end to hatch my way into white. Most markers in Japan seem to be double-sided for thick and thin lines, so USers might have to be a little more nimble or careful with their pressure, although I still have to monitor my pen pressure anyway of course.
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For the red parts, which I'll go more in depth on next week, I went with a coat of red followed by a heavier-pressured red for shadows and then a light brown for the ultimate shadow. The green glove was a combo of my own set's two greens with much fine tip hashing over the darker green to blend them. Was that exciting? No.
Aight, mo neks wee', ya herr'?
Reuxben
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